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Model: Steam Cake Maker
This antique steam cake maker is a kitchen utensil that still finds use in kitchens across India. Used in Kerala to make the traditional breakfast steam cake ‘puttu’, it uses a bamboo rope contraption to hold the mix together while it steams. This particular piece can simultaneously steam five pilla..
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Model: Wood and Brass Marriage Cupboard
This newly crafted piece of furniture is an article that is deeply entrenched in the myriad traditions of an Indian marriage. Considered a Marriage Cupboard, it is used much like a hope chest is used in the West. This particular piece has been hand crafted from repurposed wood, with beautiful brass ..
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Model: Chettinad Door Converted Book Shelf
This early 17th Century Chettinad design freestanding shelf is a mammoth in terms of beauty, size, rarity, and art. This piece has been converted from a Chettinad carved door. The front has hand carvings in the Temple architecture style, going up the sides, and culminating in over a foot’s..
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Model: Traditional Kerala Rice Box
This antique log shaped storage box is unique because it has been carved out of a single tree trunk. Used traditionally as a ‘patthayam’, a Keralite piece of furniture to store rice, this particular piece has been sourced from an old traditional Kerala house that used it for all its non pe..
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Qajar Dynasty Pictorial Tray
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Model: Qajar Dynasty Pictorial Tray
This beautiful piece steeped in the Islamic history of India is a wonder to look upon. Hand engraved in 18th Century Kerala, and immensely heavy, this brass platter has seen use within Mosques and homes. This unique piece has the carvings that depict the rich engraving tradition within South India, ..
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Model: Teak Wood Colonial Style Bed
This newly made teak wood bed is a beautiful handcrafted homage to the Colonial style from the turn of the 19th century. The base is slatted, and the sides are smoothened to perfection. The headboard and the footer are connected to the legs, which have carved embellishments on them. The boards also ..
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Model: Brass Nandi Pole Topper(pair)
This pair of exquisite representations of Nandi the Bull were used as flagstaff toppers and on the top of temple poles. Nandi is considered the mount or vahana of Lord Shiva, and the gatekeeper for the abode of Shiva and Parvati. As such, Nandi always has a place in every Shiva temple. This pair, ex..
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Model: Lord-Garuda-Idol
This carving of the God of Garuda has been sourced from Chettinad temples where they were used as decorative items. Made out of bronze, in the 18th century, it shows the traditional pose of the bird-like Hindu god, who is the avian mount of Lord Vishnu. The lore of Hindu being  extremely divers..
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Model: Bronze Temple Flagstaff Ashta Lakshmi
This Navagraha set is a typical idol placed at the bottom of temple flagstaffs in south India. Both these items are intrinsic to Hindu lore, but the combination of the two is most often seen in Shiva temples, where the flag staff, or the kodi maram, is used to hoist a cloth flag depicting Nandi, the..
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Model: Converted Coffee Table
Converted from an old house door in Kerala, and hand crafted from solid jack wood and wild rosewood as well as with elements of anjili wood, this traditional Kerala coffee table reflects the low rise style popularised in the 19th Century. It has a compartment in the centre within which to showcase d..
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Royal Family Decorative Piece
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Model: Royal Family Decorative Piece
This lifelike structure is made entirely out of teak wood and leather, used to decorate the most well endowed royal homes more than 150 years ago. Depicting a doe, it manages to capture the tender alertness of the animal while also exhibiting its muscular prowess. Above all, it is a marvellous work ..
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Model: Teak Wood Temple Decorative Piece
Carved out of the most durable teak wood, this item finds its home in temples in South India. Painted with vegetable paints, it still retains some colour in parts, where the stain of the paint has blended beautifully with the wood. The bare parts exhibit the grain of the teak and highlight the quali..
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